|
|
Praised for her "bell-like clarity and fine control" and "radient full-bodied voice" by The Washington Post, American soprano Meghan McCall is establishing herself as a fine young artist of opera today. She has been hailed for possessing a "beautifully and flawlessly operatic voice" The West Highland Press. She most recently made her Carnegie Hall Stern Auditorium debut in a world premiere where she created the role of Mary Magdalene in Marcos Galvany's opera Oh My Son.
Ms. McCall's career has taken her to stages both in the United States and Europe. She has performed the roles of Fiordiligi in Cosi Fan Tutte,Lauretta in Gianni Schicchi, Musetta in La Bohème, Adina in L'Elisir d'Amore, Gilda in Rigoletto, Gretel in Hansel and Gretel, Marie in La Fille du Régiment, Giulietta in I Capuleti e i Montecchi, Donna Anna in Don Giovanni, Susanna in Le Nozze di Figaro, Princess (#1) in Transformations Lucia in Lucia di Lammermoor, Miss Jessel in The Turn of the Screw, Blondchen in Die Entfuhrung aus dem Serail and Norina in Don Pasquale.
Miss McCall has earned her BA in Music Literature from Northeastern University and her MM from The University of Maryland Opera Studio where she worked with world-renowned bass Francois Loup. Directly after her graduation she was
invited to join the Opera Lafayette Young Artist Program which specializes in 17th and 18th century French repertoire. Ms. McCall made her Kennedy Center debut in May of 2010 with Opera Lafayette as Juliette and La Bergere in Philidor's Sancho Panza. She also made her debut recording with the ensemble for the classical music label NAXOS, which was released in October 2011.
Future appearances in 2011-2012 include Soprano Soloist in Handel's Messiah with the Southern Delaware Choral Society in December 2011 and Young Mary and Mary Magdalene in Oh My Son appearences throughout 2012.
|
